The Unselected Journals of Emma M. Lion volumes 1-8

by Beth Brower

I’m rarely a reader of romance. The only time I remember being truly obsessed with it was in ninth grade. We were visiting my aunt and uncle when my sister and I unearthed a box of my aunt’s Harlequin romance novels, and all we did for the rest of the vacation was devour them. My aunt even graciously sent us home with a few. Now, remember, this was over 40 years ago, and the spice level of Harlequin romances back then was pretty mild.

But that’s beside the point. Recently I attempted another foray into romance, even asking bookstore owners for recommendations. Truth be told, their suggestions were charming enough, but not to the point where I’d pick up another book by the same author or of the same ilk. However, I’ve just read and listened to the entire series of The Unselected Journals of Emma M. Lion by Beth Brower. And. I. Am. Hooked.

The novels are epistolary. Emma, twenty years old and soon to be twenty-one, has returned to her beloved childhood home, Lapis Lazuli House, to claim her inheritance: essentially the house, the servants, and enough money to maintain the home and live modestly. Unfortunately, her cousin Archibald, who has been holding her inheritance in trust, has squandered all her money on, of all things, morning robes. Tens and tens of morning robes. Oh, and gambling.

Emma’s banker advises her to sell the house to provide for herself. But Emma will do no such thing. She adores Lapis Lazuli House and will do anything possible to keep it as her home. So the banker suggests renting out some rooms. She does, and of course she rents them to a handsome stranger, Mr. Pierce, a “war photographer” who is dark, brooding, and cloaked in a mysterious past. Hmmm, how convenient.

But Pierce isn’t the only gentleman who has made his way into her life. Through some very curious and, shall we say, potentially metaphysical circumstances, she meets the very dashing Duke of Islington, a man Emma cannot resist verbally sparring with every chance she gets. And as readers of her journal, can we correctly interpret all that sparring as flirting? Let’s just say it gives very Austenian “Emma vs. Mr. Knightley” vibes. Nor are Pierce and Islington the only men in Emma’s orbit. There is also the enigmatic poet and vicar, Young Hawks: golden-haired, empathetic, heroic…

Emma herself is a precocious young woman who hungers for intellectual company and dreams of studying at a university. She has a wonderfully eclectic assortment of friends and acquaintances. Her writing voice is utterly captivating, a blend of mature contemplation and philosophical musing, punctuated at times by a young woman’s naive impetuousness and tumbling emotion.

I’ve read all eight volumes in the series so far and cannot wait for volume nine. Her voice is so engaging that I can’t help but feel inspired to keep a journal myself, and at times I find myself wandering into the cadence of a Victorian Englishwoman. I sincerely hope this series never makes it to the screen, because there is no way the casting could ever live up to my expectations.

Stray

by Cale Atkinson

What a lovely picture book!

Told from the point of view of a stray dog, the story opens with him taking pride in his independence. He doesn’t have “a collar… a leash… a fence.” He’s as free as a bird and couldn’t be happier… or could he?

The heart of the book is summed up in one line: “Trust isn’t easy to have when it’s been broken.” Our stray has nightmares about always running, and eventually he’s caught by a dog catcher. But don’t worry! He’s adopted by a lovely little girl (her bandaid hints that she’s cautious in life too), and together they both learn to trust again.

This book made me smile all the way through, and there’s one page with vacuum cleaners that’s especially great.

The story is simple and poignant, and the pictures are absolutely wonderful. I love this book. Buy it for every child you know!

Thank you to Tundra Books and NetGalley for the copy.

Monstera

by Delilah S. Dawson

With the death of her grandfather, Lucy is finally free to live the life she’s always wanted. But because she has never truly been independent, she isn’t sure exactly what she wants to do with that freedom. So she spends her days baking, doing puzzles, watching movies, dodging her creepy landlord, and trying to get to know her neighbour Saskia, who, although elusive, does an intense weightlifting workout in the backyard every day.

Saskia has a secret: her body is continually invaded by mysterious tiny seeds that, if left too long, begin to sprout. So every night she meticulously inspects her body and picks them out.

Soon the women become friends, much to Saskia’s unease, since she doesn’t want Lucy to become contaminated herself. But the two can’t help being drawn to each other. Both carry a traumatic past, and each seems to need the other to heal. Inevitably, they fall headlong into a consuming relationship where each would do anything for the other… even kill.

This had an intriguing premise, but it seemed too focused on the love story rather than the mystery and horror I was expecting. Some readers will love that, but I wished we had a bit more backstory for both characters and a bit more of the unsettling body-horror the premise promises. It’s a quick read, perfect for a flight or a weekend.

Thank you to Titan and Netgalley for the copy.

Switzy

by Emma Cline

David Hastings is losing his memory, so much so that he has had to resign from his high-level executive job. David’s mental deterioration is happening so rapidly that he has made the decision to travel to Switzerland for medical assistance in dying. But before he dies, he has some last-minute personal business to attend to.

Handily enough, David has money. A lot of money. Private-jet, personal-assistant money. Cody, David’s personal assistant, is with him to cater to his every need. Unfortunately, David is beginning to suffer a bit of paranoia and doesn’t entirely trust Cody, so while Cody is organizing these final days for David, David can’t help but feel Cody is stealing from him.

This unfinished business includes one last visit with his daughter (who is unaware of her father’s condition) and with an old childhood friend he wronged in the past. The closer it gets to his scheduled departure, the more personal the narrative becomes. We, the reader, are privy to an examination of conscience of sorts. And remember, David, no matter his state of mind, can still change his mind and live out his final days at home.

I found this novel evocatively written and entirely sobering (no wonder, considering the subject matter). Because we, the reader, are so completely exposed to David, his life and his thoughts (muddled as they are), I didn’t find him a sympathetic character. Not that I didn’t wish him peace during his final days, but I didn’t exactly care whether he found resolution for the emotional conflicts he was seeking to heal.

Would I recommend this book? It depends. I greatly appreciated the premise and the writer’s craft. Did I take away any deeper understanding of myself or others? Not really. Did it create empathy in me, the reader? Slightly. Would I read it again? I don’t think so, but there are a few passages I found very artfully written.

Thank you to NetGalley and Random House for the copy.

Nightjar: Stories

by Emily Ruskovich

This collection is made up of five short stories, all connected by the same haunting, quietly devastating voice.

The first story, Victor’s Room, follows Rebecca, a young mother who moves to a remote farmhouse where her husband spent his childhood. The story is told from her perspective as she wonders how she ended up there. She looks back on meeting her husband at university, where he taught and she was a student, and remembers their relationship, marriage, and the birth of their daughters. Over time, Rebecca realizes that many of her life choices were not truly her own, and she starts to see that her husband is not who he claimed to be. He tells her about growing up in the house, his childhood, and the death of his brother Victor, in a room that Rebecca later chooses as a sanctuary for herself. Reading this story made me feel uneasy; the relationship between Rebecca and her husband is very one-sided and manipulative.

The second story, Owl, follows a young man whose wife is shot by some neighbourhood boys who mistake her for an owl. Their relationship is already strained, so when she later disappears, he suspects either the boys are involved or that something from her past has finally caught up with her. I found this story heartbreaking and incredibly sad, with characters who feel like nothing more than victims of circumstance.

The third story, Round Lake, centers on a young woman who, after learning the truth about a key event in her life, starts to question everything, especially the life she has built around her memories. There were moments in this story I found incredibly easy to identify with. As I was reading, I kept thinking, I have totally responded this way, and this is exactly what I would have done.

Petty Creek Road is the one story I couldn’t quite identify with. It follows two older brothers who, because of circumstances in life, move in with each other and become the best of friends. When Butch, the younger brother, is tragically killed, his brother Will has to come to terms with his loneliness, the relationship he has with his son, and a gift he has denied possessing until now.

The final story, Nightjar, is about a young girl, Tess, who has to look after her little brother Rory during summer vacation. While doing so, she experiences something miraculous that gives her a sense of purpose and peace in her otherwise lonely and isolated life. The relationship between the young girl and her brother is incredibly realistic, sometimes funny and very heartbreaking.

Emily Ruskovich is a talented writer. Her stories draw you in with their beauty, and her writing is rich with description and metaphor. She is one of the best writers I have read.

Every story in this book will be suitable for High School study.

Thank you to NetGalley and Random House for the copy.

When Among Crows

by Veronia Roth

Curse Bearer Series #1

When Among Crows is a short novel, more of a novela really, that is steeped in Polish Folklore. The juxtaposition of European folklore against a contemporary American setting makes for an interesting story, to say the least.

Dymtr comes from a family whose calling is to slay monsters. Think “Grim” from the TV series; unfortunately, he has to sacrifice half his soul to be a monster slayer.  At the very beginning of the novel, Dymtr is tasked with finding the infamous Baba Yaga and, well, slaying her. We get a bit of Dymtr’s backstory: how his Grandmother (Bubcia) trained him, and his first kill being a striga, even though she seemed so “normal.”  Dymtr travels to Chicago to find Baba Yaga and, along the way, meets Ala, a monster herself, but not by choice; her family was cursed, and with the death of her aunt and cousin, the curse bounced to the next living relative, her. Ala is a Zmora, a night “demon” who feeds off fear. They also meet up with Nikko, a male Strzga, another Slavic creature in human form who feeds off anger and can turn himself into an owl, who it seems may fall in love with Dymtr, which, of course, will complicate things.

In the novel, our main character, Dymtr, has to reconcile with the “sins” of his past and decide how to move forward: should he retain his identity and fulfill the obligations of the family legacy, or will he move forward with a renewed sense of righteousness? 

This novel was a great palate cleanser. It was a quick, easy read between heavier books—a wonderful escapist novel using Slavic folklore, always a favourite.

Thank you to Tor Publishing and Netgalley for the copy.

Mad Mabel

by Sally Hepworth

Well, I was pleasantly surprised to be so engulfed by this novel; I read it in one day. It was the perfect book for sitting on my balcony, sipping a beverage and reading until the sun set, and where I live that isn’t until 10:30 in the evening.

The first two sentences of the prologue are one of the BEST I’ve read in a while: “It’s interesting to note that there are two groups of people who are rarely, if ever, suspected of murder. These groups are elderly women and little girls. We meet Elsie Mabel Fitzpatrick who is 81 years old. Elsie and her bosom friend Daphne are chit-chatting about the neighbours, an eclectic group of people who all will take part in the story in varying degrees. It seems no one in the neighbourhood has seen or heard from their ninety-three-year-old neighbour Ishann, and to add to their concern, his packages of shipped vitamins are beginning to pile up on the doorstep, and his chihuahua Nugget has been yapping nonstop for a couple of days. Elsie takes it upon herself to check on him and crawls over the fence to see Ishan lying dead on the floor through the glass. The police are called, and they soon find out that Elsie is also “Mad Mabel,” a notorious murderer sent to prison when she was only 15 for killing…someone (no spoilers), so of course, being the person to discover the dead body and because of her history, she is not ruled out as a suspect. 

The novel then skips back in time to give Mabel’s back story, where we learn who her parents are, what type of childhood she had and, of course, her possible motivations for murder. Chapters are labelled “Then” and “Now,” and Hepworth does an excellent job of only giving us the time frame in Mabel’s life that fits with the events happening in the “now”. As readers, we move from not knowing the true character of this murderer to actually befriending her. The Mabel of “Now” is strong and spunky, but the Mabel of “then” is a young, emotionally damaged girl who is abused by almost every aspect of society. As readers, we eventually learn that there could be several potential murder “victims,” but Hepworth is successful at not making it entirely predictable. 

If you’re looking for an engaging story with an intriguing and somewhat funny protagonist, then you will love this novel. It does pull on your heartstrings with its treatment of Mabel. 

Trigger warnings for child sexual, physical, and mental abuse, as well as violent scenes and domestic abuse. The story is not graphic, but the subject matter is sensitive—five stars, one of my favourites of the summer.

Between Two Fires

by Christopher Buehlman

Fallen angels are preparing for battle. Lucifer and his minions have chosen medieval France as their battlefield, and what better way to recruit humans to their cause than by challenging their faith with the plague. It’s 1348, and our main character, Thomas, a disgraced knight, has already had a crisis of faith. After suffering betrayal by his brothers in battle and by his wife, he has taken to the life of a brigand. Thomas has committed crimes both legal and moral that he would rather forget, but hey, it’s the time of the plague, and survival is being used as an excuse for sinful behaviour by everyone. Everyone, that is, but a young girl named Delphine.

When Thomas meets Delphine, he feels inexplicably protective of her because she seems to epitomize innocence and good. And Delphine is indeed different. She is visited by angels and set on a quest to journey to Paris to “find” something and take it to Avignon, and she persuades Thomas to accompany her. Along the way, they encounter a plethora of evil in the form of monsters, demons, and the walking dead. They also encounter some good, one person in particular being important to their journey: Fr. Matthieu, a kind yet imperfect monk who brings some jovility and warmth to the trio.

We, the readers, know that these three are going to face an evil in Avignon that will build into a holy war, one where everyone feels as though God has abandoned them.

I really REALLY liked this novel. I listened to the audio, narrated by Steve West, and his narration was powerful. It almost reads as a morality play. Naturally, themes of forgiveness, redemption, crisis of faith, the duality of mankind, good and evil, and the corruption of religious and political institutions are developed, among others. The development of Thomas’s character is powerful to see, as he responds to the challenges he encounters, albeit mostly supernatural, in a very human and realistic manner.

It is a horror novel that is VERY atmospheric and features graphic violence, but I think that no matter who you are, you will like the ending.

Brimstone Hollow

by Archer Sullivan

Brimstone Hollow is the second book in Archer Sullivan’s Annie Gore series. Annie is a spunky, independent private investigator we first met in The Witch’s Orchard. Sullivan has again written a Southern Gothic-esque mystery filled with interesting characters, a fast-paced plot, and an engaging protagonist. This time, Annie is approached by a young mother who wants to know how her estranged father, a “snake handling” preacher named Ezra King, died. The case takes Annie to a small Appalachian town, where she meets an assortment of townsfolk — some who followed the preacher, and some who didn’t. With help from the Chief of Police, Annie uncovers more than just murder: an entire underworld of criminal activity.

I expected to enjoy this novel, and I did. It’s a great palette cleanser if you’ve been steeping in heavy literary fiction — a quick, plot-driven read with a very likable main character. Sullivan also has a knack for slipping in a twist or two to keep things from getting predictable.

Thank you to Minotaur Books and NetGalley for the copy. Brimstone Hollow will be available for purchase August 11th.

Art Class and Pink Polyester Pants

Starting something new is always difficult.

You’re setting yourself up for potential failure.

People might not realize you’re not as intelligent as you would like them to believe. Or maybe you will be forced to realize that you aren’t as smart as you think you are…

which would be the worst of the two because we all want to believe we’re pretty darn brilliant.

Embarking upon a new experience is easy when you’re young. With no frame of reference, you figure anything is possible.

Naivety disguised as hope.

When we get older and carry plenty of failures under our belt, we become more apprehensive. We’ve figured out what we’re good at and we stick to it. It’s safe. It doesn’t require any extra brainpower, and we’re pretty much guaranteed success. Oh, sure, we’ll learn something new,

just as long as no one is watching.

Case in point: years ago, I decided to take a watercolour class. I received the syllabus, bought the appropriate paper, brushes, paint, and palette and was in such a creative spirit I almost sprang for the artist’s smock as well. Then I went to the first class and discovered “beginning water colour” meant only those artists who possessed an extensive portfolio. Senior citizens and college art students who, I believe, only enrolled so they can look like the experts

while the rest of us stood around, mere troglodytes to their Monet

… or so I felt in all my artistic angst.

Predictably, I only attended one class. I said it was because “something came up” (for some reason, this “something” was every Wednesday at 7:00pm).  It was really because I didn’t want to be “schooled” by a little grey-haired lady in pink polyester pants.

And now that I’m nearing my own polyester pant phase, I understand the need to only participate in something I know I can do, and do well, especially if I know it is going to be witnessed by others.

And

I have to say, I’ve been very disappointed in myself.  Disappointment led to drudgery.  Drudgery to anger.

I’m itching for change.

I want the blind faith of youth that I can do whatever it is I want to do

and not look the fool.

So

…. I’ve gone out and bought the pants.

Stone Yard Devotional

by Charlotte Wood

I’m not entirely sure why I picked up Stone Yard Devotional. I think it had something to do with a book podcast I came across, where the host mentioned it was the kind of book you read slowly, pausing to sit with what the words on the page are really trying to say. Not so much the telling of a story, but the meditation surrounding the narrator’s contemplation.

Our narrator walks away from her life running a “Threatened Species Rescue Center,” feeling it is essentially pointless. The world is going to hell in a handcart (my interpretation), and she retreats to a religious community of nuns. Not out of faith, but because “nothing is asked of [her], nothing expected” (pg. 18). From there, she turns inward, revisiting the events she believes shaped the woman she has become. As she settles into convent life, she begins to reflect on her upbringing, and particularly on her complicated relationship with her mother. Then three life-altering events unfold: a plague of mice, described in genuinely horrifying detail as the narrator and the nuns scramble to contain the infestation; the discovery of the remains of a nun who once belonged to their community, whose death appears to involve criminal circumstances; and the arrival of another nun, someone our narrator has crossed paths with before.

This is a deeply human novel. The examination of our narrator’s inner life is genuine, frustrating, and at times confusing, but through it all, it is rooted entirely in her truth.

Charlotte Wood’s writing is simple yet beautiful. There were several moments where I had to stop and just sit with her prose. For example: “Crossing the grass I made a clean track of footprints, deep green on the white spread of the lawn. It returned me to my childhood, to the sense of secret authority, imprinting one’s presence into a place with those clear, sharp prints. I exist” (pg. 39).

And: “I’m used to it now, the waiting. An incomplete, unhurried emergence of understanding, sitting with questions that are sometimes never answered” (pg. 69). The discussions you could spark from contemplating either of those passages alone would be well worth the read.

Stone Yard Devotional is a novel that can be finished in a relatively short time, yet its complexity and themes run deep. That combination of accessible length with rich, layered content makes it an ideal pick for book clubs and high school independent novel studies alike.

Bone of my Bone

by Johanna van Veen

Johanna Van Veen has quickly become one of my favourite authors, so when the opportunity to review her newest novel, Bone of My Bone, landed in my lap, I absolutely jumped out of my skin. An image that is more appropriate than you might think.

Bone of My Bone follows two women thrown together by the chaos of war. Sister Ursula is a young nun who has fled her convent to escape an invading horde of soldiers, carrying with her a tremendous weight of guilt for having abandoned her fellow sisters. Elsebeth is a brave, scrappy peasant girl who is running from the very same army. Their paths cross at a pivotal moment: just as Sister Ursula is about to be violated, Elsebeth steps in and saves her. From there, the two decide to travel together, and it isn’t long before their journey takes a fateful turn.

Along the way, they encounter a dying man in possession of something extraordinary: a holy relic, the skull of a saint. Legend holds that if the skull is reunited with the rest of the saint’s remains, the one who does so will be granted a wish. Naturally, Ursula and Elsebeth take the skull and set off to do exactly that, though each woman is driven by her own deeply personal reasons. Standing in their way is a necromancer who is stalking them across the countryside, desperate to claim the relic for himself.

This novel is such an entertaining read. It weaves together elements of German folklore, atmospheric dread, body horror, and a genuinely lovely love story. Van Veen’s writing is both gruesome and vivid, in description and in theme. She doesn’t shy away from the inhumanity of war, the selfishness of those who wage it, and the particular brutality that women are subjected to in the midst of it. And yet, through all of that darkness, something tender takes root. The romance between Ursula and Elsebeth is soft and authentic, and it earns every moment.

Set in Bavaria during the Thirty Years’ War, this one is an absolute must read if you love sapphic romances, folk horror, and stories that don’t flinch from the ugliness of history while still finding beauty within it.

Thank you to Poisoned Pen Press and NetGalley for the copy.