Nowhere Burning

by Catriona Ward

Full disclosure, Catriona Ward’s writing is a favourite of mine; she could rewrite the ingredients of a cereal box, and I’d love it. So I was fully expecting to love this new novel of hers, and I did. Although it isn’t my favourite novel of hers, it was still a good, creepy, suspenseful, mystery, thriller, and horror novel.

The novel unfolds through multiple perspectives and timelines, with the estate of Nowhere serving as the central, unifying “character” of sorts.

Leif Winham, a renowned actor, retreats from a life of glamour to his secluded estate, Nowhere. He leads an isolated and enigmatic existence, prompting neighbors to view him as an eccentric recluse while remaining intrigued by both his lifestyle and the estate itself.

Tom, a documentarian, is driven to investigate Nowhere and the mythology that surrounds both the estate and its founder.

Riley, a young girl, experiences significant trauma after being orphaned and placed in the care of a cruel, abusive guardian referred to as ‘cousin.’ Both Riley and her younger brother suffer under this individual, ultimately compelling Riley to make the difficult decision to escape with her brother. The only refuge she can imagine is Nowhere, a place described to her by a girl named Noon, who visits her at night. Noon explains that Nowhere is a place ‘in the mountains under the stars where everyone gets love and respect,’ and provides Riley with written directions to this sanctuary for children like her can find a home.

I found each of these three perspectives equally enthralling, and when Ward expertly weaves the storyline together, the novel becomes an impressive, intricate piece of storytelling. 

I really enjoyed this novel, as I knew I would. It is deeply suspenseful, and I found the characters well-developed and interesting. I wanted to know their motivations, their backstories, and eventually how their lives unfold.

Thank you to Netgalley and Tor Publishing for the book

Nowhere Burning will be available February 24th.

You Did Nothing Wrong

by CG Drews

Elodie leaves her life as a single mother in Australia to join Bren in the United States. Bren appears to be the ideal husband: he is handsome, a reliable provider, and willing to help raise her autistic son, Jude. Elodie is also pregnant, which makes her feel she finally has the foundation to start anew with her family. However, she remains uncertain about the old family home where Bren has relocated them. The house is in a constant state of renovation, and Jude dislikes it, claiming he can hear the walls talking. As Jude’s behavior deteriorates, Elodie fears her seemingly perfect life may unravel, particularly if Bren discovers her secret—a secret that could jeopardize her happiness or even her safety. Yet, Bren harbors secrets as well. The central question becomes: whose secrets pose the greater threat?

Just a heads up—the ending is completely wild and unpredictable.

Well, this was a creepy book. I found some parts predictable, and I was more than frustrated with some of the choices Elodie makes, but CG Drews seems to masterfully write a psychological thriller that will make me read more of her works. 

I also listened to this novel, and truth be told, I found the audio version even creepier. In fact, Saskia Maaleveld’s voice absolutely sent shivers down my spine. I had to listen to it in the bright sunlight of a walk and not in the dark of my bedroom at night. which is a testament to how well Saskia Maarleveld conveys character and atmosphere. 

If you like psychological horror, then this is the book for you. 

Trigger warnings: abuse, child abuse, physical abuse, violence, eating disorders, blood, psychological abuse, and gore.

Thank you to Netgalley and S. Martin’s press for the copy.

You Did Nothing Wrong will be out March 17th.

Lady Tremaine

by Rachel Hochhauser

Thank you to Netgalley and St. Martin’s Press for the copy.

I both listened to and read this novel.

Lady Tremaine is more than just a twist on the Cinderella story. It’s a feminist retelling of a tale many of us grew up with, where a beautiful girl loses her parents and is mistreated by her stepmother and stepsisters. In this version, Hochhauser focuses on Lady Tremaine, whose full name is Ethedreda Verity Isolde Tremaine Bramlay. The story opens with Lady Tremaine hunting with her peregrine falcon. After her second husband’s death, she tries to keep up the appearance of wealth so her two daughters and stepdaughter have a chance to marry well and secure their futures in a society that limits women’s options. Ethel, as she’s called in the novel, understands the risks her daughters face as unmarried women. The book then goes back to her youth, when she met her first love, Henry, who introduced her to falconry and became her closest friend. As the daughter of a successful brewer, Ethel’s family has some standing, but they aren’t considered true equals by the upper class. Henry isn’t the eldest son in his family, so their marriage doesn’t cause much attention.

When Henry dies suddenly, Ethel’s father-in-law tries to marry off her two young daughters, who are only seven and eight, to avoid paying for their care. To protect them from becoming child brides, Ethel looks for a second husband and meets Lord Bramley, who is Elin’s (Cinderella’s) father. Like in the original fairytale, this marriage is short-lived, and Ethel is left widowed and without money. She stays at the estate but struggles to maintain it. With her daughters and two loyal servants, Ethel works hard to keep things going, while Elin stays in her room, preparing for marriage and living a sheltered life.

As per the fairytale, the court soon holds a ball so that the prince can meet a young marriageable woman. The ball presents the perfect opportunity for Ethel to prepare her daughters for a union that will secure all of their futures…however, the prince and his family aren’t all they appear to be. Will Ethel find a way to secure her daughters’ safety and future, or will she inadvertently expose them to the exploitation that exists within families of political power and wealth?

I really enjoyed this novel. A fairytale, voiced by a middle-aged woman, telling of her experiences, the wisdom gleaned from them, and the ferocity with which she makes the decisions she does to provide a better life for her daughters. She is a courageous character who becomes heroic rather than villainous.

I loved reading and listening to this novel. Written in first-person point of view, the narrator, Bessie Carter, is wonderful at embodying Ethel’s character and at varying the voices of secondary characters. 

I would definitely introduce this novel into my High School Classroom as an independent choice for a novel study or small group study. 

You can buy Lady Tremaine the beginning of March.

Thank you to Negalley and St. Martin’s Press and Macmillan Audio for the copies.

Women of a Promiscuous Nature

by Donna Everhart

Hey, so apparently in 1918, men who were drafted into the army were succumbing to venereal diseases, and it was all the fault of women ( insert look of incredible annoyance here). In fact here is the quote “What the Secretary of War and the Secretary of the navy are hereby authorized and directed to adopt measures for the purpose of assisting the various States in caring for civilian persons whose detention, isolation, quarantine or commitment to institutions may be found necessary for the protection of the military and naval forced of the United States agains veneral Disease” from the Chamberlain – Khan Act of 1918.

Here’s another quote from Trials of Nina McCall: Sex, Surveillance and the Decades-Long Government Plan to Imprison ‘Promiscuous’ Women by Scott Stern: “It is the philosophy they helped to cement: that women and promiscuous people are dangerous and morally inferior and that they need to be stopped, locked up, and reformed.” Seriously. This information is provided by the author at the beginning of the novel…just to get your anger primed.

This novel discusses this time in American history, and I was outraged every second I was reading it.

Our main characters are 24-year-old Ruth, who was forcefully detained by the sheriff and endured a humiliating internal exam by a doctor who proclaimed that she had a venereal disease…all for walking alone to work at the cafe one morning. But hey, she was pretty and alone, so that made her promiscuous and a threat to mean right?

Then there’s Stella, just 15, pregnant by her own father, and her parents are the ones who turn her in. She gets sterilized and locked away, because apparently, she’s a threat too.

And don’t get me started on the other women who were forcefully detained for owning their own business, being mentally ill, or hey, you’re just too darned pretty to be single, so you pose a threat.

All of these women are institutionalized at the State Industrial Farm Colony for Women run by a woman by the name of Dorthoy Baker…a woman with a far more interesting past than the women she houses. Baker runs her institution using questionable measures. Her charges are punished for not enthusiastically embracing their rehabilitation .

To say I enjoyed reading this novel would not be suitable; I was, however, incredibly drawn in by its subject matter, themes and writing. Women of a Promiscuous Nature would make an engaging addition to book clubs. I would also recommend it as an independent study for high school classes; its writing style is accessible, as is its subject matter.

Thank you to Kensington Press and Netgalley for the copy.

Grace

A. M. Shine

Grace is my first encounter with author A M Shine. Rooted in traditional Irish folklore, this Irish Gothic Horror novel is set on a remote island off the coast of Ireland. The novel opens with a prologue in which Declan desperately tries to save his wife, Chrissy, and his daughter, Grace, from an unseen terror pursuing them. We then quickly move forward to Grace on a tour boat, braving rough seas to reach an island the captain is clearly reluctant to visit—not only because it is perpetually cloaked in dense, ominous fog, but also because he refers to it as “LaVelle’s Island.” Just a few days before, Grace had been working in her antiquarian bookstore, sharing wine with her friend Carrie, when she received a call from a priest in Croaghnakeela informing her of her biological mother’s death. Grace always knew she was adopted, but she knew nothing about her origins. Driven by curiosity and a need for closure, she returns to her birthplace.

When she arrives, her life will be forever changed. You see, the island has been plagued by an unnatural evil, a force that is responsible for the disappearance of children, but has lain dormant for years, that is, until the death of Grace’s mother, Chrissy. 

The chapters focus on individual characters, gradually revealing the islanders’ histories and their encounters with evil. As the story unfolds, readers piece together the mysteries of Valentine Lavalle, the young priest’s role, Grace’s significance, and the fog’s prevalence.

The novel is grisly, unsettling, and rich in Irish mythology. I thoroughly enjoyed it; the plot twist at the end was truly wicked, especially after everything we readers have endured. 

To be honest,  I would have really liked Grace to have a bigger role in the novel. The fact that she owned a rare and old bookstore made me believe she would use the tomes at hand to try to solve the island’s mystery. Instead, we get Father O’Malley as the main character, who pieces together the bits of information he gets from the island’s inhabitants. Also, I prefer a simmer before a full boil when it comes to horror and mystery novels. Grace is a novel that throws you right into the violent horror that is responsible for all the death and destruction. The novel then mostly concentrates on its origin, which is fine. 

Grace will be out in February.

A solid three stars. I look forward to reading more from A M Shine. 

Thank you to Netgalley and Head of Zeus Bloomsbury for the copy.

The Safekeep

by Yael Van Der Wouden

The Safekeep is a novel that explores themes of pain, loss, isolation, identity, and love. Set in the aftermath of World War II, the protagonist, Isabel, leads a life marked by routine and emotional detachment. Although she maintains a relationship with her two brothers—Hendrick, to whom she is close, and Louis, whom she finds irritating—her social circle is limited. Isabel continues to live in her childhood home following her mother’s death, with few connections beyond her aunt, uncle Karel, and Johan, a persistent suitor whom she entertains out of obligation. Her days are consumed by managing the household, particularly through meticulous inventory of its possessions. She fixates on counting the spoons daily to ensure nothing is missing. The house serves as her sanctuary and sole companion, yet it ultimately belongs to her eldest brother, Louis.

Isabel seems cold and rigid. When Louis brings his mistress, Rose, to live at the house for a month while he is away, Isabel is incensed, recoiling from any attempt at friendship from Rose, and especially affronted when Louis says Rose can sleep in their dead mother’s room.

Isabel’s life can be divided into two parts: before Rose and after. Rose becomes the catalyst for various revelations about Isabel’s history, relationships, and sexuality. The novel’s first third focuses on Isabel’s character and her daily routines, illustrating her lonely existence and posing the question of whether it is by choice. The second third explores Rose through her journal entries, as read by Isabel, while the last third examines the consequences of decisions made and the insights gained about oneself and others.

The novel is skillfully crafted. Its sensual scenes are neither gratuitous nor exploitative, and the unfolding love story is both poignant and ultimately hopeful.

I Medusa

by Ayana Gray

“ He is wealthy and popular…he will not be punished. Meanwhile, the girls here are prey.” (I Medusa).

I Medusa turned out to be an unexpected surprise. The novel unfolds over a year. Medusa, or Meddy, is 17 and preparing with her sisters for a spring feast. Unlike her sisters—Euryale and Stheno, both goddesses—Meddy is mortal. Her parents, gods of the Sea Court but not Olympians, still resent their lesser status. Meddy feels powerless compared to her family but possesses intellect, courage, and a strong sense of justice. She is sensitive to injustices in the court, including discrimination and mistreatment of women and children. These qualities attract Athena, who invites Medusa to be her acolyte in Athens, where, as myth suggests, chaos soon follows.

Ayana Grey does an incredible job in humanising Medusa as a 17-year-old girl. From her infatuation with Posidon and her inability to recognise the fact that he is grooming her for his own sexual conquest (she is constantly making excuses for his behaviour, attempting to convince herself that he sees her as special and that his love for her is different from the “love” he has for his wife, Amphitrite, or his mistresses). In fact, we, the readers, can’t help but yell at her in her naivety… However, her way of thinking seems very age-appropriate.

Medusa is characterized as a young woman we can’t help but love, even though her choices frustrate us. Gray reminds us of her age and that her choices stem from her parents’ poor upbringing—for example, she has no idea what sex is and is confused by her body’s response to seeing Poseidon with a sea nymph during her spring feast. She is often ruled by her heart rather than her mind. Her pursuit of justice turns violent, first with her fists, then with the power her curse gives her.

*spoiler warning*

I was so brokenhearted at the end, even though it was no surprise. Meddy goes to sleep with hope and optimism in her heart. Dreaming of her future where she can use her curse in a way to benefit others, just to meet her demise before the sun rises. We get to know Meddy intimately; she is characterised as an empathetic, sweet young woman, even after she is cursed. She is a victim of those in power, not a monstrous villain as most myths portray her.

Ayana Grey uses her narrative to discuss the nature of rape culture and the issue of men in power getting away with exploiting young women … two issues that we are facing today. It would make an amazing book club pick or novel for study, as it offers a plethora of points of discussion.

Thank you to Random House and Netgalley for the copy

Wild Reverence

by Rebecca Ross

Wild Reverence is a slow-burning Romantacy story. For most of the book, we are schooled in a world of Gods, Goddesses, and Mortals. We have the Immortals of the Under Realm and the Immortals of the Skyward Realm, and poor Matilda’s parentage includes both… which leaves a young girl struggling with a sense of identity and belonging. When tragedy occurs in her Under Realm home, she is forced to leave and find solace in Skyward, but will she be accepted? 

In the meantime, Matilda has met the boy of her dreams, Vincent, the only problem is she can only meet him in his dreams, oh, and he’s a mortal. For a chunk of this novel, Matilda’s and Vincent’s story is secondary; they “grow up,” each finding their place in the world (or, in Matilda’s case, her worlds), and each coming face to face with their newfound powers and the discovery of their weaknesses. Each faces betrayals and moments of weakness, but in these moments, each learns who they truly are and what potential they have to save the ones they love, unless, of course, it is contrary to what the fates allow.

So I’m not a huge fan of Romantacy, and I’ve never read anything by Rebecca Ross. I picked up Divine Rivals once and carried it around the bookstore, but didn’t end up buying it, and I am beginning to rue that day. Not that you need to read the Divine Rival books to fully enjoy Wild Reverence. I really admire Ross’s writing. It is really quite beautiful. Her prose is vivid, and the plot unravels like a movie in my imagination. 

A perfect Christmas read AND a perfect gift for those in your life who are fans of Romantacy. 

Thank you to St Martin’s Press and Netgalley for the copy.

Fox

by Joyce Carol Oats

It took me a while to read this novel. Because of its VERY heavy subject matter, I had to take a good, long break between reading sessions. Not because it wasn’t incredibly engaging, but because I couldn’t sit with the incredibly “icky” feeling that would sit and grow in the pit of my stomach, but then again, most of Joyce Carol Oats’ writing makes me feel unsettled. She does not tiptoe around issues and immerses her readers in this psychological web of disturbed characters.

Everyone loves Mr Fox. He is a romantic, dashing English teacher who recites poetry. All the adolescent girls in his class adore him, and each feels especially special if chosen for his “Looking Glass Bookclub.” However, as his name implies, Mr Fox is a sexual predator who preys on his students. He is selective with the students for his club: they must be pretty and come from wealthy, powerful families.

One morning, a damaged car is found stuck in a bog. Inside is the mutilated body of Mr Fox. 

Who could have killed him? Was it the Headmistress who had a crush and discovered his secret? Or a parent, seeking revenge for their daughter’s trauma? The detective faces many suspects.

As the story progresses, more secrets are revealed, revealing a dark side of human nature. 

Oats mostly writes in the first person, placing us in the minds of various characters, including Mr Fox. Spending time inside the mind of a serial paedophile is incredibly taxing, so reader beware.

This novel explores class, exploitation, secrets, lies, and half-truths. Every character is deeply flawed. It’s hard to find any redeeming qualities among them.

Even though Joyce Carol Oates often writes on difficult topics, she is one of my favourite authors. Her talent with prose (she shows rather than tells) snares the reader until the end, when she releases you, unsettled.

Obvious trigger warnings for child sexual abuse. 

Thank you to Netgalley and Random House for the copy.

Gone Tonight

by Sarah Pekkanen

Is psychopathy hereditary? This is one of the questions readers will have whilst reading this novel. Ruth is keeping secrets. Secrets about her past. No one knows what she has done, not even her own daughter, Catherine. A catastrophic event happened when Ruth was still in high school, and she’s been on the run ever since. And you know what? She’s done a pretty good job at evading the people of her past, her father, mother, and even the brother she is so close to, who has had to live with her disappearance. Throughout life, she has perpetuated the lie that  when she became pregnant in high school, her overly religious parents abandoned her. She’s also done a pretty good job at raising her daughter, Catherine. As a single mother, Ruth has raised her daughter to be a successful nurse on her way to a new city and a new job. 

But life begins to go awry when Ruth starts showing signs of early-onset Alzheimer’s. Ruth begins to write the truth of her life, or at least what she remembers, in notebooks because she believes her daughter should know the truth of her parentage and the truth behind her mother’s story. 

Devastated by her mother’s diagnosis, Catherine cannot understand her refusal to get formally assessed or make care plans. Suspecting something is amiss—her mother’s responses feel more like lies than simple memory loss—Catherine starts investigating. What she uncovers proves to be confusing and contradictory than expected. Yet, bits of truth slowly emerge, forcing Catherine to realize she may not know the woman she’s called mother at all.

Pekkanen has organized her novel in chapters written from the viewpoints of both Ruth and Catherine, allowing us to see their individual perspectives. However, neither Ruth nor Catherine can be considered a reliable narrator, which adds ambiguity to the truths we encounter as readers and aligns our discovery process with Catherine’s.

Overall, this book offers an engaging and accessible read—an ideal respite between heavier novels. Its fast-paced plot makes it easy to finish in one sitting. 

Thank you to Netgalley and St Martin’s Press for the copy.

The Forest of Missing Girls

by Nichelle Giraldes

This book is a creepy hybrid where young women go missing and the community comes together to track down their kidnapper, or worse yet a serial killer and a supernatural science fiction novel (I’d reference a novel in particular but then I would be hugely spoiling the plot). 

The novel starts with Lia Gregg returning home to her mother, Elizabeth, and her sister, Evie, to their little house in the woods. Her father is there too, but he seems disengaged from his family and, well, is basically disengaged from the entire plot, to be honest. Lia has experienced a breakup with her boyfriend, and she’s feeling a little lost. Soon after her arrival, Evie and her friend Maddie are hanging out in the backyard when Maddie disappears. Maddie’s disappearance immediately causes concern because, for years now, young girls have been mysteriously disappearing from the area. 

Soon, we, the readers, come across a chapter written from a different point of view. We are suddenly experiencing an alternative plot from the viewpoint of a very confused girl. Could she be Maddie? Could she be another one of the numerous girls who have gone missing? All we know is that she is absolutely clueless about who and where she is. All she knows is that there is this woman named “Mother” who is caring for her.

I was really entertained by this novel. It is a puzzle, and as soon as I started putting together the pieces, when all of a sudden a picture started forming, I couldn’t wait to see what the picture looked like in its entirety. 

I would have a problem with the science-fiction/supernatural element of this novel, but Giraldes skillfully weaves it into her storyline.

A great book to add to your Christmas reading list!!

Thank you to Poisoned Pen Press and Netgalley for the copy.

The Devil in Oxford

Jess Armstrong

The Devil in Oxford is the third novel in the Ruby Vaughn Mystery series. Full disclosure, I have not read the first two. The novel can be read as a stand alone, however as I read, I couldn’t help but feel as though I would have enjoyed it more if I knew some of the backstory that was referenced such as how did she and her love interest Ruen meet, her history with the solicitor, how did she come about living with Mr. Owen (my favourite character by the way.
Ruby Vaughn is a “disgraced heiress” who has a penchant for attracting both the supernatural and mystery. Armstrong, through her characterization of Ruby, both indirectly and directly, successfully portrays her as a strong-willed, intelligent, and precocious woman who wonderfully does not “know her place”. Ruby lives with an eccentric, charming old man, their housekeeper, Mrs Penrose, and, of course, a cat. Mr Owen owns a rare book shop where he and Ruby work… a rare book shop, my dream location (and my dream job, if I’m being honest), so this fact may have contributed to my affection for the book.
The novel starts with Ruby playing tennis with her good friend Leona, during which she notices Leona acting peculiar. When called out, Leona skirts the issue. Ruby then returns home to find that Mr Owen has procured tickets to an intriguing exhibition of “curious” oddities and artefacts. Where, of course, a bloody crime ensues, Ruby’s love interest arrives, and Lenore may or may not be a suspect. Poor Ruby has a lot to navigate in this novel: her personal life, solving a crime, and discovering the true character of the people most important to her… thank goodness she has her cat, Fialla, as support.

I really liked this novel. I liked Ruby; she was spunky, stubborn, and confident when it came to solving mysteries, but not so confident in her personal life… like most of us. I loved Mr Owen and his grandfatherly nature. I especially loved the setting; as soon as you mention a rare book store in an academic setting, I’m hooked. I did, however, miss not being “present” to witness the spark that set fire to the slow burn that is the central romance.  So I’m definitely going to seek out and read the first two. 

Thank you to Netgalley and Random House for the Copy

The Porcelain Menagerie

by Jillian Forsberg

Full transparency, it took me a while to actually get “in” to his novel, but the sense of the extent of the research once I started reading, and the extensive research was impressive enough for me to stick with it. 

The novel unfolds across two timelines. It opens in 1718, introducing Johann Kandler, his brother, and their preacher father. The narrative catalyst occurs when Johann and his brother encounter a merchant—whom I interpreted as a Santa Claus figure—whose horse requires a new shoe. This merchant possesses a plethora of porcelain sculptures, objects unfamiliar to the boys. Both are captivated, and after the merchant departs, he leaves behind the horseshoe, a talisman that inspires Johann to pursue craftsmanship. Over time, following his brother’s death, Johann apprentices with Master Benjamin Thomae, a skilled metalsmith and stonemason. Johann’s exceptional talent soon attracts the attention of King Augustus of Poland, who commissions him to create a menagerie of precious creatures for the royal court.

The second storyline occurs 20 years prior to Johann’s investiture. This secondary story is that of Turkish Handmaiden Fatima, soon to be the King’s mistress, replacing his “favourite” Mistress Maria. Fatima is not happy with her opportunity in the court. She recognizes the king as someone selfish, cruel, and not at all loved by his people. To help her pass the days, she becomes involved in the menagerie of animals the king has collected over the years, a menagerie that is soon to be immortalized in porcelain.

Throughout the years, Johann becomes close to the King’s rejected mistress, Maria, and her daughter, Katharina, who seem to be walking on porcelain themselves to avoid displeasing the king’s high demands.

I somewhat enjoyed this novel. Jillian Forsberg conducts extensive research and then successfully creates living, complex, dynamic characters around it. She does an effective job of showing us how obsession can corrupt and how those with limited power must manipulate their reality to survive.

Although certain sections felt slow-paced, I was able to follow the plot throughout. This novel is well-suited for readers interested in meticulously researched historical fiction.

Thank you to Netgalley and History Through Fiction for the Copy