by Megan Church
This novel drew me in and had my attention until I finished reading the final page. Written in first person, we are immersed in the life of Lulu, a housewife living in the 1950s. Lulu was once an aspiring photojournalist, filled with dreams and ambitions of her own. But upon meeting the love of her life, she puts aside these ambitions for dreams of a new kind. To become a wife to Henry and a mother to
Lulu’s attempt to be the perfect housewife is manifested in her obsession with making the perfect moulded jelly salad. In fact, she becomes known as the neighbourhood queen of moulded food.
When I first began reading this novel, I inferred that Lulu may be suffering from postpartum depression compounded by the fact that she is again pregnant. Her emotional fragility, compounded by the resurfacing memory and guilt associated with the death of her father and the needs of her disabled brother, Lulu does not seem to be managing.
When a new family moves into the neighbourhood, Lulu becomes obsessed with knowing who they are, especially the wife, Bitsy. Lulu believes Bitsy’s emotionless behaviour is a result of being lobotomised, a practice often conducted in the 50’s to treat “housewife fatigue” and “female hysteria”.
Lulu’s behaviour soon becomes so erratic that her husband feels like there is no other alternative but to place her in an asylum where she is continuously medicated and prescribed electroshock therapy. Is Lulu truly mad? She is definitely an unreliable narrator, but if you look closely at her words, you can see that they often hold an element of truth. We also learn of a particularly truamatizing event in Lulu’s life that most likely contributed to her break.
Meagan Church artfully crafts this novel to follow Lulu’s descent into melancholy and paranoia. We experience her fatigue, the weight of unrealistic expectations, her guilt, heartbreak and ultimately her ‘madness’. The novel also serves as a powerful critique of society’s dismissiveness towards female health even today. ‘All you need to do is lose weight. ‘It’s hormonal. Here are some tranquillisers. Let’s shock the sadness and melancholy out of you. ‘Or maybe we should sever the neural tracts in your brain, that should make you docile and happy.’ It’s a stark reminder of the struggles women have faced and continue to face in the realm of mental health.
I was quite captivated by this novel. It is rich with symbolism, character development and theme. And it definitely is a wonderful example of an unreliable narrator.
Thank you to Source books and Netgalley for the copy.
Ink And Spine 